Abstract
"When we come to refer to their works (Romans Apollinaire and Jules), we take responsibility to dream anonymously within what they have written or painted, focusing, for example, in a deliberate way on such detail or such phrase that does not in itself (if that expression in a sense) have the importance we give it. We walked in their works as they can walk within a city. In proposing the possibility that space opens, Pierre Sansot followed in the footsteps of Michel de Certeau who depicts space as an act, an act of passage where it is possible to dream anonymously within a text. It is not even the essential act of any individual; the ability to make the work His work, including creating spaces and not places. Twists and turns, to create spaces in the multivalent area in unambiguous text in the text are also ways to take it head on, because, as Peter Sansot reminds us, our acts of reception, and our acts of passages in the text are not as quiet. It sounds like an ephemeral production, not visible, not significant but which is not provided unless it is a part of the act of creation.
