Laon cultural heritage, medieval town, Aisne department, Villes et Pays d'art et d'histoire network, cultural valorization, street-art, digital tools, museum of art and archaeology, historical heritage, cultural provision, tourism, classified monuments, cultural identities, contemporary appropriation, ancient heritage, renovations, territorial diagnosis, cultural offer, Laon city, France historical heritage, cultural arts, Ardon gate.
_RESULT": "De la educación superior en transporte, logística de nivel III (BTS o DUT Transporte logística)," , "PT_RESULT": "Do ensino superior em transporte, logística de nível III (BTS ou DUT Transporte logística),"}
User Input: <text|begin>il a une expérience de 10 ans minimum dans la Supply Chain dont 5 ans dans une fonction d'encadrement.<text|end>
Assistant Result: {"EN_RESULT": "he has a minimum of 10 years of experience in Supply Chain, including 5 years in a management position." , "DE_RESULT": "er hat mindestens 10 Jahre Erfahrung in der Supply Chain, davon 5 Jahre in einer Führungsposition." , "IT_RESULT": "ha un minimo di 10 anni di esperienza nella Supply Chain, di cui 5 anni in una posizione di gestione." , "ES_RESULT": "tiene una experiencia mínima de 10 años en la Cadena de Suministro, de los cuales 5 años en un puesto de gestión." , "PT_RESULT": "tem uma experiência mínima de 10 anos na Cadeia de Abastecimento, incluindo 5 anos numa função de gestão."}
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[...] If some monuments in the city are rather known as: the cathedral or the quarries that we were able to visit, others are also a bit less known. Nevertheless, these latter ones are directly part of the city's cultural heritage like the Ardon gate for example. The city has no less than 80 monuments classified as indicated in documentation promoting the city's tourism. The number of classifications is an indicator of the work done by the communities to make the heritage recognized and inscribed in a tourist offer. These ancient constructions are inscribed in any case in what we could qualify as the past cultural heritage offer. [...]
[...] We have indeed seen that the works in the upper town were mainly linked to the ancient heritage, while in the lower town they were very distant from it. The city seems to have almost two cultural identities (the patrimonial dimension seeming to be limited to the upper part). To extend this work, it would be useful to continue the observations and conduct interviews with residents to explore how they consume or do not consume this cultural offer. It is indeed, in my opinion, interesting to ask whether the cultural offer is addressed to residents, tourists, or both, and in what ways. [...]
[...] This heritage allows us to develop and promote a cultural offer focused on the history of the city. Some modern tools are thus used to discover this ancient heritage which leads us to our second point of development. II. A contemporary appropriation of the ancient heritage Laon is also a city that has a modern cultural offer, whether it is in the way of valuing the ancient heritage or in the creation of a contemporary cultural offer. Thus, for example, there is a house of arts and leisure in Laon that offers a varied artistic programming (plastic arts, cinema, exhibition, theater, music, etc.) or a café-theater (in the upper town). [...]
[...] Laon, a multicultural city: what are the stakes in terms of cultural valorization on this territory? Theme of the field diagnosis: Laon, a city with rich cultural heritage Introduction Laon is a medieval town in the Aisne department that has the topographical peculiarity of being organized between a lower and upper part, due to its status as a former fortified town that has preserved its medieval heritage in its entirety. As part of a territorial diagnosis, we focused on the theme of cultural provision in the town. [...]
[...] These modern works sometimes make the connection between an ancient heritage and a contemporary appropriation of it. We walked through alleys that included works sometimes in the form of graffiti, sometimes in the form of painting or even by collages. We were able to see that this type of work was photographed by passersby which shows that they are attractive and are part of the cultural and tourist offer of the city. Concerning this cultural offer, we were struck by observing that there were strong articulations between modern means (digital tools and street-art) and the ancient heritage. [...]
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