Science fiction, techno-scientific progress, futurism, dystopian literature, Robert Louis Stevenson, Dr Jekyll and Mr Hyde, android, artificial intelligence, Villiers de LIsleAdam, The Future Eve, Promethean shame, Gunther Anders, The Obsolescence of Man, mad scientist, scientific hubris, megalomania, artificial woman, science and technology ethics, humanity and technology, futur antérieur, scientific modernity, 19th20th century literature, philosophical science fiction, technological anxiety, humanmachine competition, science fiction themes, literary futurism, speculative fiction, technological regression, annihilation, human soul, virtuous and vicious parts, moral duality, JekyllHyde dichotomy, Frankenstein complex, creatorcreature relationship, scientific responsibility, technological ethics, dystopian futurism, science fiction warnings, literary warnings, philosophical warnings, human condition, existential risk, techno-pessimism, science and society, technology and humanity, 20th century literature, literary themes, science fiction tropes, androids and artificial intelligence, human enhancement, technological singularity, literary analysis, science fiction criticism, philosophical analysis, cultural critique, historical context, literary context, science fiction history, futuristic visions, apocalyptic literature, cautionary tales, literary devices, symbolic meanings, psychological insights, philosophical insights, human nature, technological impact, societal impact, cultural impact, science fiction and philosophy, technology and philosophy, ethics and morality, human values, existential questions, science fiction and society, technology and culture, futurism and philosophy, speculative fiction and philosophy
Explore how techno-scientific advancements influenced science fiction literature at the turn of the 19th-20th century, fueling anxieties and pessimistic visions of the future.
[...] The double-faceted hero eventually commits suicide to escape the horror of the situation. In a broader sense, this science ultimately to turn against humanity as a whole with which it enters into competition. This competition takes many forms that can go as far as the destruction of men, but one of its most interesting manifestations is undoubtedly the shame that seizes humans in the face of the perfection of the machines that he himself created, which he no longer understands and seems to surpass him (« the Promethean shame according to the philosopher Gunther Anders, The Obsolescence of Man). [...]
[...] The Impact of Techno-Scientific Progress on Science Fiction Exposition on Science Fiction 1. At the turn of the 19th-20th century, the anxieties sparked by techno-scientific progress fuel a pessimistic, even nightmarish science fiction literature. At the turn of the 19th and 20th centuries, and increasingly throughout the 20th century, the warlike, ecological, and human horrors made possible by scientific modernity modify the vision of the future offered by science fiction: far from advancing humanity, techno-scientific progress could cause it to regress or even annihilate it. [...]
[...] Hyde by Robert Louis Stevenson (1886) is exemplary: a scholar, the brave Doctor Jekyll, driven by the desire to understand the complexities of the human soul, develops a potion to try to separate the vicious part of his soul from its virtuous part. The experiment results in the temporary transformation of Dr. Jekyll into a bestial and diabolical creature: Mr. Hyde, the physical incarnation of the evil contained in Dr. Jekyll's soul, which allows him to do all the evil he wants without the slightest guilt. But soon Dr. Jekyll is no longer able to control the process, and Mr. Hyde, who only emerged when the doctor ingested the potion, begins to emerge spontaneously . [...]
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