Sensitive readers, literary control, censorship, inclusivity, creativity, literature, critical spirit, minorities, stereotypes, freedom of creation
Discover the controversy surrounding 'sensitive readers' in literature. Learn how their role in reviewing and editing works for potentially hurtful content sparks debate on censorship, creativity, and the value of original literary heritage. Explore the tension between promoting inclusivity and preserving the integrity of classic works."
[...] The 'sensitive readers », useful literary production control or distortion of the original work and creativity hindrance? Over the past few years and the awakening of awareness regarding the discrimination that minorities may be subject to, a genuine purging of major literary works has taken place. We are seeking to remove from these works anything that may offend ethnic minorities and more broadly all individuals who may be stigmatized, for example, by stereotypes about their condition. At times, this process of control by the 'sensitive readers » is even made jointly with the creation process itself through professionals of the 'sensitivity reading». [...]
[...] 3 The sensitive readers, a brake on creativity? The author Lionel Shrvier uses an inspired formula to express her point of view: 'The more cautious we are, the less creative we are. If we are afraid to step on people's feet, we do not dance ' The author therefore thinks that she is returning to a new form of censorship that presents itself as a real brake on creativity (doc 5). Manon Heckman mentions the tribune written by a collective of 150 personalities from the artistic world, culture and media, a tribune in which authors, intellectuals rise up against the cancel culture that they assimilate to a form of intolerance towards divergent opinions. [...]
[...] 2 The use of sensitive readers does it come back to denaturing the works? Paolo Tortonese recalls how many prestigious authors protest against this new censorship that leads to changing works from the past. Salman Rushdie has thus been outraged that one seeks to modify the texts of Roald Dahl. Paolo Tortonese in this editorial in Fabula which constitutes the document also thinks it is insulting to think that the majority of the population is not capable of having a critical reading of the works and that original editions should be reserved for a certain elite. [...]
[...] We must accept that a work can influence readers for good or ill and we must trust their critical spirit (doc 7). There is an alternative solution to rewriting by [...]
[...] Moreover, the sensitive readers not going to curtail freedom of expression. By restricting too much what characters can say, for example, will creative freedom still make sense? If it is important to take into account minorities and the sensitivities of various individuals, it will also be necessary to ensure that a new form of censorship that stifles creative impulse is not imposed. List of documents used*: *These documents are available in their full version from the customer service. [...]
APA Style reference
For your bibliographyOnline reading
with our online readerContent validated
by our reading committee